Jon Marans' recent off-Broadway hit, The Temperamentals, aims to shed some light on a lesser-known entry in the annals of gay activism. But on a deeper level, the play is about the enduring struggle between a bunch of ideas that all happen to start with the letter "c." On one side, we have competition, conflict and conformity; on the other, cooperation, creativity and … uh, communism. Which team will win? And did I mention it's the 1950s?
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